I am sure that one of the functions of the Turner Prize for art is to cause controversy.
Richard Dormant of The Daily Telegraph wrote of this year's Turner Prize winner Richard Wright
"And here's a sentence I never thought I'd write about a Turner Prize winner: the result is so damn beautiful you stand transfixed in front of it".
It is. To me it looks like he has stencilled the wall using a damask stencil pattern, instant size and several books of gold leaf. Thoroughly lovely. If you fancy trying something like this for yourself look at our blog post about gilding with a stencil.
On reading more of Dormant's article I learn that "Wright works like an old master. He started by drawing his design on paper and then pricking the cartoon with hundreds of tiny holes to transfer the image to the wall by rubbing chalk over the surface. Next, he applied size (weak glue used in the middle ages to stiffen the pages of illuminated manuscripts) and painted the final layer with tiny brushes dipped in gold leaf. So a stencil played a huge part in the process.
This work took three weeks to create and will be painted over at the beginning of January. No one can own it, all that will remain are photographs and memories.
It's a British Tradition to ridicule the Turner prize winning entry, everyone seems to like this one. Now, that's controversial.
Pictures from The Tate and Daily Telegraph.
Damask stencils, instant size and faux gold leaf can be found at www.stencil-library.com
Helen

We are Helen, Chips and Rachel, partners in The Stencil Library. We design, make and sell stencils. We also teach, decorate with, eat, breathe and live with stencils. Inspiration comes from many places for us. We would like to share our inspiration and projects with you. All our stencils are designed and made in Northumberland, England. They are sent to customers worldwide.