On many occasions I have been told that I should attend Salon but I was never quite sure what it was, so I didn't.
Salon 2010 was held in Versailles near Paris and...as that is only a short hop across the English Channel I went to see what all the excitement was about.
I arrived in Versailles with little idea of what to expect.
The night before I travelled I read an interview between Leslie Vigini and Regina Garay on the Fauxology blog. That was a great help. I understood that Salon is an annual gathering for international masters of decorative arts to come together, share knowledge and admire each others work. It was also to watch and discuss the application of old and new techniques and materials.

I packed a sun face stencil, it's my company logo. It was King Louis' too. They are all over Versailles. My room mates were Sheri Hunt and Tatiana Rugers.
They are both members of IDAL, the international group of decorative artisans that I belong to. Sheri and Tatiana had previously particpated at Salons so I looked to them for guidance. Those not part of the Salon group, may participate by submitting evidence of their talent to the Salon hosts. Both artwork and artist must meet standards of excellence set down by the group before being accepted. I was there as a guest, I had nothing to do except watch, learn, enjoy myself and brew the morning cappuccino.
The chosen panels for Salon 2010 were displayed in the Versailles Town Hall from the opening reception to the end of Salon. Here a few samples of the work.
Throughout Salon the participating artists recreated their submitted panel for an audience of fellow masters and visitng public.

More than 100 artists from 16 different countries attended.
The communal meals were a riot of hand semaphore, Franglais and other hybrid communication as we got to grips with each others languages.
There were two Salon mural projects to work on. This one was for members only it was orchestrated by Patrick Kirwin and was donated to the Versailles City Museum. It depicted a visual feast... with no cheese.
The other offering was open to all to contribute (I hope) and was a mosaic of finishes donated to the School of Fine Art.
Persuaded by others I tagged the mural with my sun face stencil… and no one painted over it.
Much of Salon is concerned with marbling, and replicating stone or wood finishes.
I have done neither since college twenty years ago but my interest has been awakened and I want to learn again.
Murals and trompe l’eoil are well represented by some of the best artists in the industry.

There was little stencilling. One of the British masters referred to my profession as 'slap dashers' and tried to convince me that it was a compliment! I wandered between locations attending lectures and lunches and observed the progression of murals.
My favorite part of the week was the excursions. Our host Jean Sable and his team took us to some wonderful places, but that can wait. This post is long enough.
Jean Sable is teaching at this years IDAL convention in Portland, Oregon, USA..
His work is beautiful and I expect the class will be wonderful. Those not attending the convention may want to learn may like to know he has a new book. I've had a peek and it's fab.
Helen.